In the preface to the book Grand Bordeaux Châteaux: Inside the Fine Wine Estates of France, Philippe Chaix describes discovering Bordeaux as a bewitching act: on…
View More Architecture with Heart in BordeauxTag: monarchs
The monarchs throughout history have been some of the most fascinating people to have ever walked the earth. I feature them often in my diary entries.
Billowing ruched fabric, pointy toes of dainty shoes visible from beneath flounced skirts hemmed in gold fringes and ornate trims. A bejeweled crown on a pillow festooned with gold fleurs-de-lis; and a red velvet tablecloth flowing downward, its gold trim cascading onto a floral rug. Sumptuousness at every turn. Painting in its most magnificent forms. I am walking through the exhibition Vigée Le Brun: Woman Artist in Revolutionary France, at the Metropolitan Museum of Art. Porcelain skin and the richest colors infused with powdery light mesmerize. The Comtesse du Barry’s expression is jaded, the grey of her eyes matching the feathers arching above her straw hat and the lace ruffles fluttering around her collar bone. She is already the deposed mistress of Louis XV when this is painted, and Vigée Le Brun has rendered her in the style she became enamored with when she traveled to Antwerp with her husband.
Though the subjects she would paint would be many, she would gain the most fame from her portraits of Marie Antoinette, who first invited Vigée Le Brun to Versailles to paint a full-length portrait of her in court dress that would be given to the queen’s mother, Maria Theresa of Austria. Upon receiving the painting, the empress was pleased to see the regal bearing of her daughter that Vigée Le Brun had captured. As Vigée Le Brun’s memoirs prove, no matter how many famous women and men she would immortalize abroad, she never lost her fondness for Marie Antoinette and never felt quite as much joy as she had experienced painting the queen. I can understand why a fascination with the lives of the monarchs would catch hold of anyone who had anything to do with them, a subject I explore often here on the blog.
Vigée Le Brun’s Passion for Painting
A Passion for Painting Billowing ruched fabric, pointy toes of dainty shoes visible from beneath flounced skirts hemmed in gold fringes and ornate trims. A bejeweled…
View More Vigée Le Brun’s Passion for PaintingTransitory Spaces
The beginning of one of Napoléon Bonaparte’s earliest letters to Joséphine de Beauharnais simply oozes sensuality: “Seven in the morning. I awaken full of you…the…
View More Transitory SpacesHeaven Shall Be Here
In the film A Little Chaos, Alan Rickman, who plays an unlikely Louis XIV, declares, “Heaven shall be here.” He’s speaking of a ballroom he…
View More Heaven Shall Be HereThe Seat of Scottish Power
As the opening credits roll during the film Her Majesty, Mrs Brown, a Markino marble bust, which has been tossed over a castle’s ramparts, tumbles…
View More The Seat of Scottish PowerThe Built Legacy of Henry VIII
The 2016 Academy Awards are handed out this coming Sunday so I’m celebrating a film that showcases the built legacy of Henry VIII to delve back into…
View More The Built Legacy of Henry VIIIRenovating During the Tudor Era
Hindsight is 20/20, as they say. Looking back to the Tudor Era from this great distance, it’s easy to see how barbaric a sport jousting was.…
View More Renovating During the Tudor EraDining with History
A month from Sunday, I’ll be winging my way to Paris to attend Maison & Objet, and I’m thrilled to say I’ve been invited to…
View More Dining with HistoryNarratives That Illuminate Design
Narratives That Illuminate Design If you believe that design-centric coffee table books contain nothing more than visual surveys of portfolios, I am out to change…
View More Narratives That Illuminate DesignOne Special Summer with Jackie O
Hegel’s caveat “history teaches us nothing” may be relevant in cultural and philosophical realities but in the design world the statement is far from succinct.…
View More One Special Summer with Jackie O